I also tried to draw other than people. I tried buildings & structures, but never became good at it. Few pieces came as acceptable but that was the end of it.
This is Metropolis in 3B, 4B
This is ToxiCity in 0.7 Artline marker. I was very attracted to the idea of dystopia when I was in a beautiful 'Lord-of-the-Rings' place. Now, braving the traffic at 7 am, the idea is no longer romantic or courageous to live through.
And I planned to do a modern graphic novel version of Mary Shelley’s Frankenstein. I got as far as the main character sketch and found out that I enjoyed writing the STORY more. Words are easier and faster. Anyway, with words people can correct you. But these things you draw – you’re stuck with it as it first came out. No one ever had his/ her painting edited.
This is the monster. There are days I think of myself as the monster.
Victor Frankenstein. There are days when I think I am Frankenstein. But that is only creatively speaking.
So, what happens now? Drawing, unlike writing is a skill that deteriorates very fast. I had to start from zero to gain my mediocre skills back in 1997. And that 1997 skill was trained since 1980! So I guess, drawing and painting are no longer practical to me. Last week, I drew a beaver on the whiteboard to illustrate the idiom ‘eager beaver’. My students said ‘oh!’ in unison, so I guess I still got the moves!
Someone said (I can't remember who) that drawing is a combination of talent and skill. Once you get the hang of it, you won't forget it, just like riding a bicycle.
ReplyDeleteAfter viewing your paintings, I keep envisioning you as another Beatrix Potter. Those beauties are precious! (so keep them safe, please). Who knows one day you'll publish them alongside your writing (like what Khadijah Hashim did in Semerbak Puisi and Dua Dimensi).
Nana,
ReplyDeleteI think I might just do that. I have a dream to re-invent my artistic skills now that I am mature and have more 'jatidiri.' Thanks.